In an attempt to move away from shots of flowers, countryside, sea, sky etc., and try and improve my photography skills, step out of my little safety zone, I have been taking more still life shots, and looking for interesting shapes, colours and whatnot.
Here a couple of examples, one of Luke’s slendid cakes, and the party bags from a friends little girl’s party Orla and I went to this morning.
On the 23rd March, Tuesday night in fact, Chichester Creative Boom went live, of which I am the editor.
I have cribbed this from the ‘About Page’, as it sums up the sites ethos succinctly.
“Creative Boom is an online Creative Industries magazine created by Katy Cowan.
Creative Boom Chichester is a regional online magazine about the creative industries in Chichester and West Sussex, covering everything from fashion, music, film and photography to art, design, animation and marketing.
This site is managed and run by its parent Creative Boom – a national e-zine designed to celebrate, inspire and support the creative industries – in partnership with Lorrie Whittington of Illusio Creative, a freelance artist and designer based in Chichester.
Its purpose is to help creative individuals and businesses throughout Chichester to network, secure more work and find out about everything creative that’s happening on their own doorstep.”
I am enormously excited and proud to be part of this venture, and particularly as it focuses on Arts within my home area. I want to thank Katy for this brilliant opportunity.
So, if you are an artist, artisan, musician living in the Chichester area, then please bookmark the page. And, if you are participating in an event, or putting one on, or have a business or project you want promoted, then get in touch. There is directory for which your company, shop, site can be listed, and the site also has advertising space….
Recently I had run out of business cards and MOO mini cards. I need a big old batch of business cards for a web design promotion I am currenly running, and as gorgeous as MOO’s business cards are, I really needed a cheap bulk order. So Iwent with one of the many ‘Free’ offers Vistaprint are always hurling my way via email, and got 250 printed for £15. Now, essentially they were meant to be ‘free’, but the £15 included printing on the back, VAT and postage. I went with basic matte printing as they are going out with orders and flyers, and wanted them to be as cost effective as possible. £15 for 250 is not bad at all.
I had a free promo code given to me by the lovely Meir at Moo, and decided to use it for a pack of the lovely MOO mini cards, and ordered an extra pack. I took some shots as you can see, but forgot to shoot the back, so you don’t get to see my ‘Colour of the Sky’ face shot on the reverse, I will try and remember to edit it in. I always include a couple of the mini MOO cards with business cards in my orders, and include a couple extra with silk ribbon or thread attached at one end as bookmarks. Customers love the little bookmarks it would seem. I adore the new cardboard boxes the MOO mini cards come supplied in, so much nicer than the old plastic ones, I think they are really cute. The print and card quality is excellent, and if you have never ordered any, I recommend you check them out, mini MOO’s are quite collectable.
I joined this rather interesting site today, called ‘These Ants‘, which was originally flagged up by Katy Cowan at Creative Boom (a very exciting new venture, for artists, more on that soon).
These Ants is a creative collective founded by the talented Grace Han. Take some time to check out the site. I think any project like this that serves to promote and foster artists and designers deserves as much support as possible. It’s shiny and new, and worth getting involved with. I love new projects like this.
This was produced by my niece Caitlin for a college assignment. I think it rather good. Got a lot of verve and freshness, and well edited. Go show some lurrrve.
Sadly, other than my Celtic Heart Gocco print, I didn’t create any Valentines Day art this year to sell as I originally intended. However, here is a sample of Valentine Day art from the last five years. Two of the Aceo’s are sold, two are available in my shop Art4sale. The poem I wrote for Luke and I think I entered in a contest. The wallpapers I originally created for my deviantART account, and I used to have them on my own site. I don’t generally make them as much now and don’t have downloads on my Portfolio anymore. Though I may add a ‘Downloads’ gallery on here at some point. The wallpapers are free to download.
This is an exact copy of the letter I sent to Paperchase today:
Dear Paperchase..
On the matter of Hidden Eloise, her artwork, your product and the allegation of plagiarism.
I know that you have received many, many complaints on this issue. Many people have been very vocal and angry about this, and accusations of art theft have been rife. But, I see this as a transgression of integrity also. And I too feel I should add my mite. I do so in the aftermath of the initial furore because it is now pertinent to take stock of the situation, and to address certain comments made by your CEO and quoted in the article written by The Daily Telegraph.
First of all, I do myself firmly believe, despite the assertion made by Grow no Moss and yourselves, that the artwork in question used on your products is indeed a copy of Eloise’s original artwork, and in fact, so closely resembles the original piece that it is likely to have been traced work. I have shown the two drawings to many, many people, including artists, and non artists, and each and every one to a man has maintained unequivocally that the image adorning your product to be a copy.
Secondly, you had your chance to resolve the situation. Eloise did the right and honorable thing, and contacted you as you yourselves stated in November, and was dismissed. She could in fact have gone straight to her blog and the Internet as so many artists might have done in the same situation, but she gave you the chance to do the right thing. Did you really think she would meekly go away? And why would she contact you again, did you expect her to do so? To what end? It would seem that you made it plain to her that she could expect nothing from you. No withdrawal of the product or remuneration. She did in fact what any of us would do, she took steps.
Thirdly, having done so and brought a shit storm over your heads for which you so rightly deserved, instead of putting your hand ups and claiming Mea Culpa, you continued to deny any such charge and then in desperation outed the design company. How craven. Then in the Daily Telegraph, your CEO is quoted as referring to the allegations on Twitter as an ‘untruth’. The arrogance of this truly astonishes me, and further tacitly implies that a witch hunt mentality is at work on Twitter with the comment, “the issue raised serious concerns about the powers, and there in the danger of Twitter”. He maintains that “If we had been plagiarising, I completely understand why we would have received so many emails and Twitter posts concerning our business but we haven’t.” Additionally, “What upsets us as a whole is that a lot of our good customers have been angered by this and there is no reason for it”. That this man might actually believe this to be the case is truly startling.
The reason that this issue gained such notoriety so quickly is because of the obvious and fundamental truth at its core, and one that was obvious to EVERYONE who saw it, that Eloise’s work had been copied.
Now it would seem that the design company are frantically denying any such plagiarism as well they might, and have told Eloise that they have ‘evidence’ that backs up their claim, but which is inadmissible, ergo. She cannot publish. How convenient.
You have made a monumental error of judgment, and if you have an atoms worth of wisdom available to you and cherish any hope of redeeming your now unutterably tarnished reputation, I recommend that you make some kind of restitution forthwith and apologise to Eloise for the theft of her artwork.
For indeed, the last thing any company, no matter how big, can afford in these very troubled and hard times, is this kind of bad publicity. For people will not forget this in a hurry believe me. I have been a Paperchase customer for over 30 years, since I was a student in the early 19080’s. Whether I ever buy another Paperchase product again, remains to be seen.
No doubt there are glaring grammatical errors, but I wrote it straight, with no revisions as I wanted to convey my strength of feeling. If you want to be kept up to date with events are they unfold, Eloise is ammending her blog post on this as events unfold.
ETA
I received two more emails after this. The first reply was stating the original designer had admitted to copying the work, that I take the matter up with them, and an email address with which to do so, and also a paragraph about how upset they were about the allegations against their ’small’ company and they were not the stationery giants the press had made them out to be.
My reply was as follows:
Mr ******
In as much as Kitty Mason and the Design Company, Grow No Moss are at fault, I would like to point out to you, again, that Paperchase didmissed Eloise’s claims when she contacted you in November, and therefore your company is also culpible. This negation of responsibility is not only craven, but lacks any kind of integrity. Yes, Kitty Mason was at fault, yes so are the design company. But I feel that your company should have taken Eloise seriously when she first approached you and treated her claim honestly.
As for a small company. I beg to differ. Mine is a ’small’ company, yours is not. Not a multi national may be, but again, not in any sense of the word ’small’. I have been a Paperchase customer since my first purchase in 1981, I know exactly how big or small the company is, please do not insult my intelligence or ability to undertake thorough research.
The fact is, that your company at any point could have salvaged the situation by taking a portion of the blame. Your company’s refusal to do so, and moreover, point the finger elswhere is damning yourselves even further.
I received one more reply to this stating that the design company would be making a statement “exonerating Paperchase from any blame”.
I did reply:
My original argument still stands. And I think in time, you will realise your error of judgement, when it is too late.
And to be honest, for me there is really nothing else left to say.
ETA: 16th March, 2010:
It would appear that Paperchase finally woke up and got the ‘point’. They have issued an apology on their website and eaten some well deserved ‘humble pie’. About time.
Another artist has been the victim of art theft by a corporate entity. Paperchase are allegedly selling products featuring ‘ripped art’ by Hide n Seek. Follow the link below to read Eloise’s full story.
I read her full blog story about this, looked at her original design and the Paperchase products in question. There is absolutely NO DOUBT in my mind that her work has been seriously plagiarised. I even showed the evidence to my husband, NOT an artist but an Engineer who said immediately that the central motif was a direct copy, but that the colours had been altered. Paperchase claim apparently, that there is no plagiarism, as the two designs have a different ‘feeling’.
I have been a buyer of Paperchase products for over 30 years, ever since I was a student. I love the Paperchase products. I will NEVER buy a Paperchase product again.
It’s hard enough in the current economic climate (or any circumstances) to make a living without being exploited and ripped off by corporate business.
Just finished a small painting as shown here. Very simple, just black acrylic paint on unpainted linen deep edged canvas, size 8×8.
The design was formed free hand, in that I didn’t draw out the image first using pencil or source the design from preliminary sketches. I just started painting and let the image form itself. The inspiration for this design are the Jacobean tapestries of the 17th century, the motifs of which were often based around the themes of nature, which were organic and free flowing, usually incorporating, leaves, flowers foliage, and had moved away to a degree from the tight formality and geometry of the Tudor period.
Tapestry I - Acrylic on Linen Canvas
Tapestry I - Acrylic on Linen Canvas
Tapestry I - Acrylic on Linen Canvas
Tapestry I - Acrylic on Linen Canvas
As an example, and I stress my painting was not directly taken from these designs, but inspired only.
A few people have asked me what my creative space is like, here are some pictures. I work at home in a spare bedroom which has been called the study or the studio, but which is generally known as ‘the working room’, as that is what Orla named it, which seems appropriate. Study is old fashioned, and ‘Studio’ far grand for what is essentially a bedroom in my own house. The light could be better, and in the picture it looks more cramped than it is, though it could be roomier. However, I count myself lucky to have some clear and private space to work in. At the moment it is relatively tidy.
If you are interested in purchasing original art including drawings, prints, gocco prints, postcards, textile art and photographic prints, then please visit my shop Art4Sale. I donate 15% of each sale to the NSPCC